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Personalised multi-point setup included

Before dispatch, your instrument will be treated to a full setup. That's not a quick tweak, but a full multi-point setup by an experienced guitar technician who will check and adjust every single thing on your guitar, bass, ukulele or banjo to ensure it is performing at its absolute best.

This is not a quick process but we believe every instrument should go through our process to acheive an exacting standard of playability.

Frets

We start with the frets on your instrument. All guitar necks move and change over time so we will make sure that your frets are nice and flat as we go up the neck. We don't want any high or low spots as this will mean your guitar will need a higher than optimum action and potentially suffer with fret buzz.

We check and properly profile the playing surface of the frets and then make sure the fret ends are finished off properly. The fret is then polished to ensure smooth string bending.

Truss Rod

Then it's on to the truss rod. This metal rod differs from guitar to guitar (some guitars such as classical guitars don't usually have a truss rod!) and basically controls the "relief" or curve of the neck. Not enough relief and your strings won't have enough clearance over the other frets when playing. Too much relief and you'll have a high action which gets worse as you go up the neck.

The heavier the strings then the more the truss rod needs to work. Proper adjustment in the workshop means that the action will be just right for the strings fitted to your guitar.

Top Nut

The top nut is super important and is one of the two open contact points of your guitar. The technician will check and cut each slot to make sure the strings both run freely but are not sitting in a slot that's too big.

The top nut also plays a big part in the action of your guitar so we'll hit that sweet spot between too low and too high.

Saddle(s)

Another really important part of your guitar!

On an acoustic, the saddle is cut to the correct height making sure the bottom is 100% flat and straight. This means the string can transfer its vibration properly into the body of your guitar.

For electric guitars, the saddles are adjusted to ensure your intonation is perfect. We will also match the saddles to the radius of your fretboard.

Bridge / Tremolo

The bridge affects the break angle and string height of your guitar and is also responsible for holding your saddles.

For a guitar with a Floyd Rose tremolo system or similar, the spring tension has to be just right to allow the tremolo to return to its "zero point" and keep everything in tune.

For guitars with standard tremolos, we can set it to float and be used both up or down like a true tremolo or we can lock the trem block back so the tremolo will only go downwards.... the choice is yours!

Intonation

Intonation is the measure of how in-tune the guitar string is across the length of the fretboard and a guitar with badly set intonation will get more and more out of tune as the string is shortened when you play.

Tiny adjustments are made to each string where applicable to adjust its length and ensure that the intonation is set just right.

Overall Action

Once all the above has been completed, the guitar is checked for playability and fine adjustments are made. This step brings everything together and means your guitar will be set up optimally.

Machine Heads

Every machine head is operated and checked for function. We need to ensure that the machine heads operate smoothly.

Electrics

All the functions of your guitar are checked to ensure everything is working as intended.

For acoustic guitars we will check the functions of the EQ system and controls as weel as check the internal cabling and jack socket.

For electric guitars, all the pickups are checked for function and tonal response. All controls and switches are operated to ensure they are functioning properly. The jack socket is checked.

Other Parts

All other parts such as strap pins, bushings, tuning buttons etc are fully checked.

Dispatch

All our instruments get the same premium treatment wether you purchase online or instore.

If you have purchased online, your guitar will be carefully packed ready for dispatch. You will receive a tracking link via email.

Happy playing :)

Lr Baggs Radius-M - Mandolin Pick Up
LR Baggs
Lr Baggs Radius-M - Mandolin Pick Up
Lr Baggs Radius-M - Mandolin Pick Up
Lr Baggs Radius-M - Mandolin Pick Up

Lr Baggs Radius-M - Mandolin Pick Up

SKU: RADIUSM
£208.00
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 In Stock at Supplier Warehouse
This item is in stock at our supplier's warehouse. Usually dispatched in 1-5 days.
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Multi-Point Setup Included
This instrument Includes a Free Multi-Point Setup. Learn More
Description Reviews (0) Questions
Description

The Radius Mandolin pickup is a hi-tech contact sensor that installs in minutes. It is a passive accelerometer-based pickup that emulates the sound of a mic without the instability associated with microphones. At the heart of the pickup is a highly flexible beam with a .004” thin film sensor, similar to mic diaphragm material, attached to its surface. The beam is held in equilibrium and damped by another LR Baggs innovation—opposing Neodymium magnets. The Radius-M can be mounted to the outside surface of the instrument with a removable, non-destructive adhesive or to the inside with VHB adhesive. An external preamp is recommended.

Developed primarily by Bo Radis, transducer department manager, with an assist by Micah Marquet the Radius pickup is a small wonder. It was developed primarily for the mandolin but may be used successfully on many other smaller high voiced instruments, including the violin.

At the heart of the transducer is a highly flexible beam with a .004" thin film sensor, similar to mic diaphragm material, attached to it's surface. The beam is held in equilibrium and damped by another LR Baggs innovation - opposing Neodymium magnets. The sensor floats between the magnets and is not bogged down in viscous fluid or clamped between elastomeric pads, so it is completely free to respond instantly to the smallest nuance without artifact or coloration. Also, the magnets are tuned to progressively damp the sensor and respond naturally to the dynamics of the instrument.

The frequnecy response is linear, silky smooth and accurate with an astonishing natural and effortless sound. Unlike most soundboard transducers, the Radius is also very tolerant to placement and works well in a variety of locations. The output of the device is quite strong which allows passive use with a normal length cord without a preamp into most acoustic amps. The case is injection molded of a non-resonant conductive ABS material developed in collaboration with a respected plastics manufacturer. The CAD designed case acts like a vault for the transducer insuring ultra quiet operation.

The Radius may be mounted to the outside surface of the instrument with a removable, non-destructive adhesive or to the inside with VHB adhesive. The Radius "kit" includes adhesive, 1 1/4" stereo jack and a side mount jack holder to enable internal or external mounting. The list price is $189 (including jack) and is now available.

  • Radius mandolin pickup
  • Mounting putty
  • Clear adhesive pads
  • Permanent VHB adhesive pads
  • External jack mount
  • Self stick wire clips for internal installations
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