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Personalised multi-point setup included

Before dispatch, your instrument will be treated to a full setup. That's not a quick tweak, but a full multi-point setup by an experienced guitar technician who will check and adjust every single thing on your guitar, bass, ukulele or banjo to ensure it is performing at its absolute best.

This is not a quick process but we believe every instrument should go through our process to acheive an exacting standard of playability.

Frets

We start with the frets on your instrument. All guitar necks move and change over time so we will make sure that your frets are nice and flat as we go up the neck. We don't want any high or low spots as this will mean your guitar will need a higher than optimum action and potentially suffer with fret buzz.

We check and properly profile the playing surface of the frets and then make sure the fret ends are finished off properly. The fret is then polished to ensure smooth string bending.

Truss Rod

Then it's on to the truss rod. This metal rod differs from guitar to guitar (some guitars such as classical guitars don't usually have a truss rod!) and basically controls the "relief" or curve of the neck. Not enough relief and your strings won't have enough clearance over the other frets when playing. Too much relief and you'll have a high action which gets worse as you go up the neck.

The heavier the strings then the more the truss rod needs to work. Proper adjustment in the workshop means that the action will be just right for the strings fitted to your guitar.

Top Nut

The top nut is super important and is one of the two open contact points of your guitar. The technician will check and cut each slot to make sure the strings both run freely but are not sitting in a slot that's too big.

The top nut also plays a big part in the action of your guitar so we'll hit that sweet spot between too low and too high.

Saddle(s)

Another really important part of your guitar!

On an acoustic, the saddle is cut to the correct height making sure the bottom is 100% flat and straight. This means the string can transfer its vibration properly into the body of your guitar.

For electric guitars, the saddles are adjusted to ensure your intonation is perfect. We will also match the saddles to the radius of your fretboard.

Bridge / Tremolo

The bridge affects the break angle and string height of your guitar and is also responsible for holding your saddles.

For a guitar with a Floyd Rose tremolo system or similar, the spring tension has to be just right to allow the tremolo to return to its "zero point" and keep everything in tune.

For guitars with standard tremolos, we can set it to float and be used both up or down like a true tremolo or we can lock the trem block back so the tremolo will only go downwards.... the choice is yours!

Intonation

Intonation is the measure of how in-tune the guitar string is across the length of the fretboard and a guitar with badly set intonation will get more and more out of tune as the string is shortened when you play.

Tiny adjustments are made to each string where applicable to adjust its length and ensure that the intonation is set just right.

Overall Action

Once all the above has been completed, the guitar is checked for playability and fine adjustments are made. This step brings everything together and means your guitar will be set up optimally.

Machine Heads

Every machine head is operated and checked for function. We need to ensure that the machine heads operate smoothly.

Electrics

All the functions of your guitar are checked to ensure everything is working as intended.

For acoustic guitars we will check the functions of the EQ system and controls as weel as check the internal cabling and jack socket.

For electric guitars, all the pickups are checked for function and tonal response. All controls and switches are operated to ensure they are functioning properly. The jack socket is checked.

Other Parts

All other parts such as strap pins, bushings, tuning buttons etc are fully checked.

Dispatch

All our instruments get the same premium treatment wether you purchase online or instore.

If you have purchased online, your guitar will be carefully packed ready for dispatch. You will receive a tracking link via email.

Happy playing :)

BOSS SDE-3000EVH Dual Digital Delay Pedal
BOSS
BOSS SDE-3000EVH Dual Digital Delay Pedal
BOSS SDE-3000EVH Dual Digital Delay Pedal
BOSS SDE-3000EVH Dual Digital Delay Pedal

BOSS SDE-3000EVH Dual Digital Delay Pedal

SKU: SDE3000EVH
£506.00
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Description

Get the authentic Eddie Van Halen stereo delay sound with this BOSS SDE-3000EVH Dual Digital Delay Pedal. A modern pedal inspired by a classic! Developed in collaboration with EVH.

EVH and BOSS join forces to bring you the SDE-3000EVH Dual Digital Delay, an authentic recreation of the stereo delays at the heart of Eddie Van Halen’s massive three-cabinet live stage guitar sound.

Based on the vintage Roland SDE-3000 rackmount delay, this powerhouse processor puts two fully featured SDE-3000s in one floor-based pedal, coupled with extensive connectivity to build a wet/dry/wet rig just like Eddie’s. You also get eight presets curated by EVH with the exact settings from his actual delay units, allowing you to experience the master’s expansive spatial delay tone in your own setup.

  • Special edition dual delay pedal jointly developed by EVH and BOSS
  • Based on the legendary Roland SDE-3000 rackmount digital delay from the 1980s
  • Eight EVH presets with the exact settings from the two SDE-3000 delays in Eddie Van Halen’s live rig (the EVH presets
    are locked internally but allow for output level adjustments)
  • Versatile connectivity for creating an EVH wet/dry/wet rig and integrating with various mono and stereo setups
  • Classic appearance with the signature EVH logo and stripes
  • Warm vintage digital delay sound with extended features for modern rigs
  • Distinctive retro display and panel controls based on the original SDE-3000
  • Includes two full-featured delays, each with independent parameters, mono/stereo modulation, and panning
  • Widely adjustable delay time with two range settings: 0–1500 ms and 0–3000 ms
  • Characterful modulation inspired by the original circuit design
  • Phase switches for the primary delay and delay feedback loop
  • Adjustable low-cut and high-cut filters for shaping delay feedback sounds
  • Send/return functionality for patching in an effect pedal or using the four-cable method
  • Selectable impedance on the effect return for optimizing tone with different amplifiers
  • Selectable series or parallel operation for the two delays
  • Save and recall sounds with 100 user memories
  • Adjustable noise suppressor
  • Assignable onboard footswitch control for tap tempo, hold, and more
  • Jacks for extended operation with up to four footswitches, two expression pedals, or the GA-FC/GA-FC EX foot controller
  • MIDI I/O on space-saving mini TRS jacks
  • Includes three ground-lift cables for eliminating hum with multi-amplifier setups
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